H.H.第三世多杰羌佛中國畫作品：下江搖渡

H.H.第三世多杰羌佛中國畫作品：下江搖渡

Ferrying the Xia River
下江搖渡

Artist: H.H. Dorje Chang Buddha III
H.H.第三世多杰羌佛

Style: Fanjuan（繁卷派）

摘自：International Art Museum of America

作品描述：
“Ferrying the Xia River” is an ink-and-wash painting created in 1993. Although black ink is used extensively, the brush strokes contain the essence of the art of painting and calligraphy. Even though the only color used is black from top to bottom, the aspects of farness and nearness are clearly distinguishable. A top artist, Mr. Huang Binhong, said “Black ink is all around, as extensive as heaven and earth. The paper of a painting can unfurl thousands of mountains. Created with ease in less than a few days, this work was actually born from nearly one hundred years of wielding the brush.” This painting has a rich layered look. Within the thick black ink lies elegance. It is an excellently conceived and interesting image. In this leisurely and carefree setting, sounds echo from thatched cottages amid mountains to skiffs on the water and vice-versa. This remarkable work with an exceptional style and scholarly air is one of the painting in the “Fanjuan” style and was created using the center brush-tip technique.

《下江搖渡》是一幅創作于1993年的水墨畫。雖然整幅作品廣泛運用了黑色墨水，但是筆鋒依然展現出羌佛書法及繪畫的精髓。即便上下都是一種色調，但是遠近依然清晰可辨。頂級藝術家黃賓虹先生說：“水墨四周天地廣闊，一張紙可以呈現出成千上萬的山脈。創作這幅畫僅僅幾天，實際上這種創作的功力卻是要積累上百年的。”這幅畫具有豐富的層次感，厚厚的墨水展現了作品優雅的一面，這是一幅具有出色構思及富有樂趣的作品。在悠閒的山間里，小船上的聲音能傳到山上的茅草屋，山上茅草屋里的響聲，也能傳回小船。這種以繁多的筆觸展現書卷氣的效果，被稱為“繁卷派”。

The “Fanjuan” style
Numerous strokes of the brush reveal an air of scholarliness. Although a myriad of brush strokes are applied, there is no sense of disorder; rather, artistic talent based on profound and extensive knowledge is expressed.

繁卷派——以繁多的筆觸展顯書卷氣效果，其萬千繁筆而不亂，出顯學識淵博的才華。

轉載自：藝術寰宇https://www.facebook.com/%E8%97%9D%E8%A1%93%E5%AF%B0%E5%AE%87-301641313371153/?fref=nf